Director: Lorenzo Fonda
Production company: Ghost Robot
Executive producers: Mark Depace, Zach Mortensen
Agency: MTV
Creative director: Andrei Chaine
MTV producer: Jessica Borovay
Line producer: Sarah Nadeau
Story: Lorenzo Fonda
Character design, animation: Lorenzo Fonda
Sound design: Lorenzo Fonda
Music: Ben Selvin – Love your spell is everywhere
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This concept came from a drawing I made many years ago on a sketchbook. I always had wanted to try evolve it into a cinematic piece, but never had a chance until this project came.
Quick storyboard.
The initial characters design. MTV said no nudity so I had to make sure her breasts wouldn’t show in the shots.
I used Photoshop to animate. It was my first time and I enjoyed so much to finally having the possibility of using any kind of brushes I wanted.
Midway through the animation process my old-ish home computer started to take very long to render every frame in real time, so I moved to the Ghost Robot office and used their Death Start computer that also has a monitor that is as wide as the whole desk.
Director: Lorenzo Fonda
Production company: Ghost Robot
Executive producers: Mark Depace, Zach Mortensen
Agency: MTV
Creative director: Andrei Chaine
MTV producer: Jessica Borovay
Line producer: Sarah Nadeau
Production design: Mathery Studio
Cinematography: Albert Salas
Actress: Amber Schaefer
VFX: Stefano Villani
Music: Velvet Ears – Farewell
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This concept came from an idea I had about a series of vignettes where people get dangerously close to harmful household items. I singled out the ice cream/fan combination because I felt it communicates a sense of empowerment, recklessness and hubris which are all qualities I enjoy. I’d like to thank in particular Erika Zorzi and Matteo Sangalli of Mathery Studio for embarking on this quick but intense journey whose outcome was completely unknown to any of us.
This is a pretty self-explanatory sketch of the VFX concept. It basically relied on masking two separate shots and then seamlessly composing them together. No talent was harmed during the production of this video, as you probably figured by now.
First of all we did a test, because even if the effect concept was very simple we had no idea if it would actually work in practicality. So we tried different types of ice creams and whipped cream and other slimy things, to see what would be slashed in the most convenient way by the fan.
Since the ice cream on the rig had to move towards the fan to be progressively slashed away, we just placed the C-stand that was holding the cone on a wheeled platform, and pulled it slowly by hand during the shot, towards the fan.
Matteo and Erika from Mathery Studio carefully replacing new ice cream on the cone every 3.5 seconds or so, because the ice cream kept not cooperating.
Director: Lorenzo Fonda
Production company: Ghost Robot
Executive producers: Mark Depace, Zach Mortensen
Agency: MTV
Creative director: Andrei Chaine
MTV producer: Jessica Borovay
Line producer: Sarah Nadeau
Animation studio: Blu
Producer @ Blu: Patricio Bluna
Art director/animator @ Blu: Ariel M. Yamus
Sound design: Luke Allen @ Silversound
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This concept came from a little instagram experiment I did where on each post I would put a frame out of some sort of storyboard, and if you scrolled quickly you would get some sense of animation. I know, I was bored and unemployed at the time.
Here’s the original experiment.
Because I felt I wanted a feeling of hammering trippy anxiety after the red drape is lifted, decided that the bull would find himself in a world of cuckoo clocks flying and tweeting like maniacs all around him.
Here’s a first animatic that Ariel from Blu did.
First CG pass on the animatic.
Doing sound while still working on animation, as tight deliveries sometime require.
Director: Lorenzo Fonda
Production company: Ghost Robot
Executive producers: Mark Depace, Zach Mortensen
Agency: MTV
Creative director: Andrei Chaine
MTV producer: Jessica Borovay
Line producer: Sarah Nadeau
Production design: Mathery Studio
Cinematography: Albert Salas
VFX: Stefano Villani
Music: Beethoven – Ode to Joy
Vocals: Sarah Nadeau
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This concept came from my love of things slowly and graciously floating in space.
First of all, we bought some sex dolls.
Then we bought telescopic poles to hold up the dolls. Our producer was worried that we would attract too much attention while walking with twelve sex dolls on our backs to the location, so we tried covering them with trash bags. Didn’t work.
Then everyone ran backwards holding up a couple dolls each, letting them float randomly mid air.
The original sketch. I decided to remove the submarine with the voyeuristic creatures in it because that would have extended the story to a length that I didn’t have the time to cover.